gives contours toan ever-closer future. Using the location of Vondelpark and ribbons hung in a tree, imprintedwith lines of her poem and painted with night ink to form a gradient pattern, Barnas dips in andout of the shade, between what is and what is yet to be.

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With the site-specific poemNight Ink (2021),Barnas molds visions of place through thedescriptions of others. By weaving visual anchors with dreamlike accounts, a world that isfamiliar yet distant takes shape. In the gap between what is and is not, Barnas